This photo montage is created from found photographs collected in second-hand shops around Stockholm. It features two framed elements that reflect my interest in photographic portraits as archetypes. The assemblage acts as a disruption, highlighting the gender gap in personal representation. The images feature anonymous figures from the past, likely local Swedes. The male figure appears to be a notable subject from a 1960s reproduction, while the female is an original 1970s print, likely privately developed. The composition includes references to female anatomy, with unpublished texts hidden within, employing a glitch technique. Both photomontages have physical versions where the texts are concealed inside the frames, inviting deeper exploration of the narratives within.